Are we playing today? What are we going to do for the rest of the year? Why do we still have class?
Improve Your Large Ensemble with Chamber Ensembles
Imagine a perfect world. Imagine a world where your students bring greatly improved attitude, sound, rhythm, confidence, and listening skills to your rehearsal.
Influential Women in Music Education History and Why They Matter Today
Though the history books may not always reflect this truth, women have always had considerable influence in shaping the field of music education.
Fluency and Music
Music performance, at its best, must be fluent. Listeners expect to hear uninterrupted lines that include clear communicative information. Listeners desire accuracy and true competency from performers.
Preparing Your Jazz Band for Festival or Contest
‘Tis the season for festival prep! For many band directors, jazz band happens outside of “regular” rehearsals, and that means preparing for a big performance (like a contest) can be daunting.
Creating a Culture of Excellence in Your 2nd and 3rd Bands
The strength and depth of a program that has multiple bands depends on the vitality of its non-varsity ensembles. Many band programs have excellent varsity bands, but I believe that in the best band programs, every band is strong, whether there are two bands or ten.
The S.M.A.R.T. Approach to Music Ensemble Student Retention
Once students are in your program, it’s vital that you retain them. Retention starts with our very beginning-level students and it is vital that we focus on keeping them once they have started in the program.
4 Methods for Developing Melodic Ideas for Improvisers
One of the biggest skills any improviser should develop is the ability to create melodic ideas. The creation of these licks is integral to the jazz musician, and as teachers and performers, we want to grow this skill as quickly as possible.
3 Science-Backed Tips to Keep Your Students Motivated
As a music educator, the way in which you manage your classroom can have a major impact on students’ success.
Data Collection and Music Program Fundraising
Fundraising is a necessary “evil,” required for most of our programs to survive and flourish. Unfortunately, few music educators were also trained as accountants.